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	<title>Film Directing and Film Making Tips for the Independent Filmmaker</title>
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	<link>http://filmdirectingtips.com</link>
	<description>Filmmaking Articles and Advice from Film Consultant Peter D. Marshall</description>
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		<title>Beginners Guide to Low Budget Filmmaking</title>
		<link>http://filmdirectingtips.com/archives/4979</link>
		<comments>http://filmdirectingtips.com/archives/4979#comments</comments>
		<pubDate>Thu, 11 Mar 2010 13:36:15 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Low Budget Filmmaking]]></category>
		<category><![CDATA[low budget]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4979</guid>
		<description><![CDATA[This article was written by Lorabella.
&#8220;Low budget filmmaking is a good way to start a career in filmmaking. There have been many instances of low budget filmmakers making it big in their own countries and even internationally. So if you believe that you have the potential to make good or even great films then why [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Lorabella.</em></p>
<p>&#8220;Low budget filmmaking is a good way to start a career in filmmaking. There have been many instances of low budget filmmakers making it big in their own countries and even internationally. So if you believe that you have the potential to make good or even great films then why not prove it by making an effective low budget film. You never know it might just turn out to be your ticket to filmmaking success.</p>
<p>But of course it is not a cakewalk and many aspiring filmmakers end up with half done or completely trashy projects and lose confidence in themselves. If you intend to make a low budget film, the following tips are going to help you ensure a satisfying experience.&#8221;</p>
<p>Read the rest of this article <a href="http://lovecount.com/beginners-guide-to-low-budget-filmmaking/" target="_blank">LoveCount.</a></p>
<p><strong>———-</strong></p>
<p><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></p>
<p><strong>———</strong></p>
]]></content:encoded>
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		<item>
		<title>“Video Meets Baby Boomers” filmmaking contest</title>
		<link>http://filmdirectingtips.com/archives/4989</link>
		<comments>http://filmdirectingtips.com/archives/4989#comments</comments>
		<pubDate>Wed, 10 Mar 2010 23:09:58 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Contests]]></category>
		<category><![CDATA[film contest]]></category>
		<category><![CDATA[Video meets Baby Boomers]]></category>

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		<description><![CDATA[The LFMP ‘Video meets Baby Boomers’ is looking for some talented filmmakers to document how people 50+ interact with technology. So grab your video camera and make a short documentary featuring yourself, family members, teachers or other acquaintances.
Is there a generation gap going on with technology? What is the difference between how boomers use technology [...]]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://247realmedia.com/lfmp/" target="_blank">LFMP ‘Video meets Baby Boomers’</a> is looking for some talented filmmakers to document how people 50+ interact with technology. So grab your video camera and make a short documentary featuring yourself, family members, teachers or other acquaintances.</p>
<p>Is there a generation gap going on with technology? What is the difference between how boomers use technology versus how teens and twenty-somethings use it? Your film could be funny or scientific, but if it’s entertaining and insightful with a unique POV you could walk away with $10,000.</p>
<p>Simply shoot, edit and upload, and you will have the opportunity to present your video at an upcoming advertising/marketing summit packed with advertising innovators, media executives and decision makers from some of the most influential global brands. Think of the doors this could open for you as a filmmaker.</p>
<p>(Oh, we also thought some cash for tuition, film equipment, or whatever might help too.)</p>
<p>Prizes</p>
<p>Grand Prize…$10,000 USD including: the screening of your film at the WPP Digital Media Summit, a content feature within the LFMP documentary and Paid Travel &amp; Accommodations to NYC (See rules for winners below 18 yrs of age at time of entry)</p>
<p>1st Runner-up…$5,000 USD and a content feature in the LFMP documentary</p>
<p>2nd Runner-up…$5,000 USD and a content feature in the LFMP documentary</p>
<p>CLICK HERE <a href="http://247realmedia.com/lfmp/" target="_blank">http://247realmedia.com/lfmp/</a> for further information, including how to enter, rules and restrictions.</p>
<p>Happy filmmaking!</p>
]]></content:encoded>
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		<item>
		<title>Too old for Hollywood? Try film directing</title>
		<link>http://filmdirectingtips.com/archives/4977</link>
		<comments>http://filmdirectingtips.com/archives/4977#comments</comments>
		<pubDate>Wed, 10 Mar 2010 13:30:22 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Famous Directors]]></category>
		<category><![CDATA[film directing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4977</guid>
		<description><![CDATA[This article was written by Bob Tourtellotte.
&#8220;Want to be an actor, but you are beyond your 20s. Perhaps a career as a screenwriter, but you heard about age discrimination. Try directing, filmmakers are having all the luck these days &#8212; at any age.
&#8220;Shutter Island&#8221; from 67-year-old director Martin Scorsese, reigned atop U.S. box offices for [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Bob Tourtellotte.</em></p>
<p>&#8220;Want to be an actor, but you are beyond your 20s. Perhaps a career as a screenwriter, but you heard about age discrimination. Try directing, filmmakers are having all the luck these days &#8212; at any age.</p>
<p>&#8220;Shutter Island&#8221; from 67-year-old director Martin Scorsese, reigned atop U.S. box offices for the second straight week this past weekend. It dethroned former champ &#8220;Valentine&#8217;s Day&#8221; from 75-year-old Garry Marshall, and 76-year-old Roman Polanski&#8217;s &#8220;Ghost Whisperer&#8221; is performing well in art houses.&#8221;</p>
<p>Read the rest of this article from <a href="http://au.news.yahoo.com/a/-/world/6879451/too-old-for-hollywood-try-film-directing/" target="_blank">Reuters.</a></p>
<p><strong>———-</strong></p>
<p><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></p>
<p><strong>———</strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Promoting a Film Festival for the Long Tail: a Digital Marketing Case Study</title>
		<link>http://filmdirectingtips.com/archives/4965</link>
		<comments>http://filmdirectingtips.com/archives/4965#comments</comments>
		<pubDate>Tue, 09 Mar 2010 13:17:27 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[social media]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4965</guid>
		<description><![CDATA[This article was written for Best Social  Media Marketing Tips.
&#8220;Since the birth of the moving picture, film has played an important  role in the way people experience culture worldwide.  This is apparent  at the 400 film festivals which take place around the globe each year.   These events give talented [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written for Best Social  Media Marketing Tips.</em></p>
<p>&#8220;Since the birth of the moving picture, film has played an important  role in the way people experience culture worldwide.  This is apparent  at the 400 film festivals which take place around the globe each year.   These events give talented artists a venue to promote their work in  front of a qualified, interested audience.</p>
<p>Like any dynamic art form, film is forever changing.  New digital  media have placed unknown independent artists on the same playing field  as their more established, commercially-backed counterparts.  Moreover,  as access to cyberspace has become more universal, reaching the right  audience has never been so easy.&#8217;</p>
<p>Read the rest of this article from <a href="http://www.bestsocialmediamarketingtips.com/3033" target="_blank">Best Social  Media Marketing Tips.</a></p>
]]></content:encoded>
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		<item>
		<title>Celebrate &#8220;International Women&#8217;s Day&#8221; 2010</title>
		<link>http://filmdirectingtips.com/archives/4967</link>
		<comments>http://filmdirectingtips.com/archives/4967#comments</comments>
		<pubDate>Mon, 08 Mar 2010 21:58:55 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[women in film]]></category>
		<category><![CDATA[International Women's Day]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4967</guid>
		<description><![CDATA[
Today, March 8, 2010, is &#8220;International Women&#8217;s Day&#8221; &#8211; a global day celebrating the economic, political and social achievements 			 of women  past, present and future.
Last night at the Oscars, Kathryn Bigelow made history by being the first woman to win the Best Directing award &#8230; AND her film &#8220;The Hurt Locker&#8221; also won [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.internationalwomensday.com/" target="_blank"><img class="size-thumbnail wp-image-4969 alignleft" title="iwd_5" src="http://filmdirectingtips.com/wp-content/uploads/2010/03/iwd_5-142x150.gif" alt="" width="142" height="150" /></a></p>
<p>Today, March 8, 2010, is &#8220;<a href="http://www.internationalwomensday.com/" target="_blank">International Women&#8217;s Day</a>&#8221; &#8211; a global day celebrating the economic, political and social achievements 			 of women  past, present and future.</p>
<p>Last night at the Oscars, Kathryn Bigelow made history by being the first woman to win the Best Directing award &#8230; AND her film &#8220;The Hurt Locker&#8221; also won Best Picture.</p>
<p>Last week, I shared two articles with you on women directors. You can read them both here: <a href="http://filmdirectingtips.com/archives/4859" target="_blank">Why are there so few female film-makers?</a> and <a title="Permanent Link to Why are there so few female film-makers?" rel="bookmark" href="http://filmdirectingtips.com/archives/4796" target="_blank">Top Female Directors.</a></p>
<p>Please take a moment now to thank the women near you for their contribution to making our lives better.</p>
]]></content:encoded>
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		<title>Filmmaking Success Mindset</title>
		<link>http://filmdirectingtips.com/archives/4892</link>
		<comments>http://filmdirectingtips.com/archives/4892#comments</comments>
		<pubDate>Mon, 08 Mar 2010 13:34:22 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4892</guid>
		<description><![CDATA[This article was written by Jason Brubaker.
&#8220;In case you haven’t noticed, becoming a professional filmmaker requires persistence, tenacity and an unyielding ability to overcome obstacles and keep going, even when doing so seems crazy… I wanted to share a little tool I have been utilizing for years.
The tool is called the Filmmaking Success Mindset. The [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Jason Brubaker.</em></p>
<p>&#8220;In case you haven’t noticed, becoming a professional filmmaker requires persistence, tenacity and an unyielding ability to overcome obstacles and keep going, even when doing so seems crazy… I wanted to share a little tool I have been utilizing for years.</p>
<p>The tool is called the Filmmaking Success Mindset. The FSM is a set of filmmaking declarations that, if repeated over and over every day – will help you condition your thinking for the better. Your thoughts will influence your beliefs and your beliefs will influence your actions. Put enough actions together and you will begin to forge a new life as a filmmaker.&#8221;</p>
<p>Read this article from <a href="http://www.filmmakingstuff.com/2010/02/filmmaking-success-mindset/" target="_blank">Filmmaking Stuff.</a></p>
<p><strong>“<a href="http://actioncutprint.com/files/201Things.pdf" target="_blank"><span style="text-decoration: underline;">201 Things You Wouldn’t Know<br />
Without Movies or Television!</span></a>”</strong></p>
<p style="text-align: center;"><strong><a onclick="javascript:pageTracker._trackPageview('/outbound/article/actioncutprint.com');" href="http://actioncutprint.com/files/201Things.pdf"><img title="s-tvcamera" src="../wp-content/uploads/2010/01/s-tvcamera.gif" alt="s-tvcamera" width="148" height="118" /></a></strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>5 Tips Young Film Editors Should Know</title>
		<link>http://filmdirectingtips.com/archives/4890</link>
		<comments>http://filmdirectingtips.com/archives/4890#comments</comments>
		<pubDate>Sun, 07 Mar 2010 13:33:55 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Editing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4890</guid>
		<description><![CDATA[This article was wrtten by Alan Edit.
&#8220;Starting a career in post? already in post? good. Here are 5 things I learned, practically. I&#8217;m still learning.&#8221;
Read this article from Looking For the Right Image.
———-
Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get: (1) Day One of my 201 [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was wrtten by Alan Edit.</em></p>
<p>&#8220;Starting a career in post? already in post? good. Here are 5 things I learned, practically. I&#8217;m still learning.&#8221;</p>
<p>Read this article from <a href="http://alanedit.blogspot.com/2010/02/5-tips-young-editors-should-know.html" target="_blank">Looking For the Right Image.</a></p>
<p><strong><span style="font-weight: bold;">———-</span></strong></p>
<p><span style="font-weight: bold;"><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong></span><span style="font-weight: bold;"><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></span></p>
<p><strong>———</strong></p>
]]></content:encoded>
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		<title>The Importance of Contingencies in Film Marketing</title>
		<link>http://filmdirectingtips.com/archives/4887</link>
		<comments>http://filmdirectingtips.com/archives/4887#comments</comments>
		<pubDate>Sat, 06 Mar 2010 13:33:27 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[marketing]]></category>
		<category><![CDATA[film marketing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4887</guid>
		<description><![CDATA[This article was written by Patty Fantasia.
&#8220;The film short I’m co-producing “Accused” is now in post production and during the editing process I’ve been putting together a marketing plan for promotion, audience building and defining our goals for the project.  One thing that has become apparent to me is the need for structuring a “things [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Patty Fantasia.</em></p>
<p>&#8220;The film short I’m co-producing “Accused” is now in post production and during the editing process I’ve been putting together a marketing plan for promotion, audience building and defining our goals for the project.  One thing that has become apparent to me is the need for structuring a “things to do list” in such a way that the basics are locked down, while leaving room for contingencies.  In addition,  we  have been discussing the most effective way in which we can use this production “as a means of advertising”, the way that Thomas Mai suggested during my chat with him.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.filmmakersnotebook.com/?p=1166" target="_blank">Filmmakers Notebook.</a></p>
<h3 style="text-align: center;"><span style="color: #000000;"><big> <span style="color: #660000;"> <a onclick="javascript:pageTracker._trackPageview('/outbound/article/www.actioncutprint.com');" href="http://www.actioncutprint.com/10filmcommandments-fdt.html" target="_blank">The Ten Commandments of Filmmaking</a></span><small> </small></big></span><span style="color: #000000;"><big><span><span style="color: #000000;"><big><span style="color: #660000;"><a href="http://www.actioncutprint.com/10filmcommandments-fdt.html" target="_blank"><br />
</a></span></big></span></span>How to Work (and Survive) in the<br />
Film and Television Industry</big><br />
<span style="font-style: italic;">by Peter D. Marshall</span></span></h3>
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		<title>Confessions of a Working Director</title>
		<link>http://filmdirectingtips.com/archives/4868</link>
		<comments>http://filmdirectingtips.com/archives/4868#comments</comments>
		<pubDate>Fri, 05 Mar 2010 13:33:01 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Independent Films]]></category>
		<category><![CDATA[film directing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4868</guid>
		<description><![CDATA[This article was written by Eric Stanze.
&#8220;It&#8217;s an old rule of thumb for indie film screenplay writing:  Include in your screenplay what you already have access to.  This saves you money and streamlines your shoot.  Robert Rodriguez cites this decree as a major contributing factor in his pulling off the micro-budget El Mariachi.
I think S.F. [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Eric Stanze.</em></p>
<p>&#8220;It&#8217;s an old rule of thumb for indie film screenplay writing:  Include in your screenplay what you already have access to.  This saves you money and streamlines your shoot.  Robert Rodriguez cites this decree as a major contributing factor in his pulling off the micro-budget <em>El Mariachi</em>.</p>
<p>I think S.F. Brownrigg, director of Don&#8217;t Look In The Basement, explained it best when he spoke of his &#8220;three legged dog&#8221; low budget filmmaking tactic:  If you discover a three legged dog on set, put it in your movie because that&#8217;s production value.  But never, in pre-production, write a three legged dog into your script, because then you&#8217;ll never find one.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.fearnet.com/blogs/surviving_cinema/b18098_confessions_of_working_director_212010.html?utm_source=fearnet&amp;utm_medium=rssfeeds&amp;utm_campaign=rss_blogs_survcinema" target="_blank">Fearnet.com</a></p>
<h3><strong><a onclick="javascript:pageTracker._trackPageview('/outbound/article/actioncutprint.com');" href="http://actioncutprint.com/film-humor/filmmaking-quotes-2009/" target="_blank">Filmmaking Quotes<br />
</a></strong></p>
<p><strong><a onclick="javascript:pageTracker._trackPageview('/outbound/article/actioncutprint.com');" href="http://actioncutprint.com/files/TwitterFilmQuotes-2009.pdf"><img title="audience" src="../wp-content/uploads/2010/01/audience1-150x150.jpg" alt="audience" width="150" height="150" /></a></strong></p>
<p>A Collection of 470 Film Quotes<br />
from“Twitterers” Around the World</h3>
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		<title>German films depend on TV</title>
		<link>http://filmdirectingtips.com/archives/4870</link>
		<comments>http://filmdirectingtips.com/archives/4870#comments</comments>
		<pubDate>Thu, 04 Mar 2010 13:32:36 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[In The News]]></category>
		<category><![CDATA[German films]]></category>
		<category><![CDATA[German TV]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4870</guid>
		<description><![CDATA[This article was written by Ed Meza.
&#8220;As with most European countries, financing from television nets plays a dominant role in German cinema. The partnership is a simple economic reality. But does it tamp down ambition? And does it allow for an abundance of family films and screwball comedies at the cost of edgier, riskier works?
For [...]]]></description>
			<content:encoded><![CDATA[<p><em>This article was written by Ed Meza.</em></p>
<p>&#8220;As with most European countries, financing from television nets plays a dominant role in German cinema. The partnership is a simple economic reality. But does it tamp down ambition? And does it allow for an abundance of family films and screwball comedies at the cost of edgier, riskier works?</p>
<p>For a country with so many TV broadcasters, it&#8217;s no surprise that cinema here is in part defined by the needs of television.</p>
<p>&#8220;Like nearly everywhere in the world, there is no feature film industry without television,&#8221; says Constantin Film&#8217;s Martin Moszkowicz, head of film and television, worldwide theatrical and television production, distribution, marketing and international sales. &#8220;In Germany, the importance and influence (of television) is stronger than in most other countries because the German landscape is heavily dominated by broadcasters.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.variety.com/article/VR1118014364.html?categoryId=3886&amp;cs=1" target="_blank">Variety.</a></p>
<h3 style="text-align: center;"><span style="color: #000000;"><big> <span style="color: #660000;"> <a onclick="javascript:pageTracker._trackPageview('/outbound/article/www.actioncutprint.com');" href="http://www.actioncutprint.com/10filmcommandments-fdt.html" target="_blank">The Ten Commandments of Filmmaking</a></span><small> </small></big></span><span style="color: #000000;"><big><span><span style="color: #000000;"><big><span style="color: #660000;"><a href="http://www.actioncutprint.com/10filmcommandments-fdt.html" target="_blank"><br />
</a></span></big></span></span>How to Work (and Survive) in the<br />
Film and Television Industry</big><br />
<span style="font-style: italic;">by Peter D. Marshall</span></span></h3>
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