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	<title>Film Directing Tips, Film Making Articles and Online Resources for the Independent Filmmaker &#187; filmmaking</title>
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	<description>Filmmaking Articles and Film Directing Advice from Film Director Peter D. Marshall</description>
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		<title>The Kids Are All Right: The Basics Still Inspire Aspiring Filmmakers</title>
		<link>http://filmdirectingtips.com/archives/6817</link>
		<comments>http://filmdirectingtips.com/archives/6817#comments</comments>
		<pubDate>Sat, 02 Jul 2011 12:44:44 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[super 8]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6817</guid>
		<description><![CDATA[by Kim Adelman. Kids today are still making shorts. The urge to remake “Raiders of the Lost Ark” continues to be irresistible to young men. And pencil drawings have not yet lost the battle to Flash in the realm of teenage-produced animation. A two-part screening of high school shorts at the Los Angeles Film Festival [...]]]></description>
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<script type="text/javascript"
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
</script></div><p><em>by Kim Adelman.</em></p>
<p>Kids today are still making <a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1449551491?tag=actiocutprint">Super 8</a> shorts. The urge to remake “Raiders  of the Lost Ark” continues to be irresistible to young men. And pencil  drawings have not yet lost the battle to Flash in the realm of  teenage-produced animation.</p>
<p>A two-part screening of high school shorts  at the Los Angeles Film Festival confirms that the output, hearts, and  minds of teen filmmakers remain reassuringly familiar.  If these are the  standard bearers for the future of filmmaking, their rallying cry seems  to be back to basics.</p>
<p>Read the rest of this article from <a href="http://www.indiewire.com/article/2011/06/23/the_kids_are_all_right_the_basics_still_inspire_aspiring_filmmakers" target="_blank">IndieWire.</a></p>
<p><strong>Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 30 pages of my 220  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”</strong></p>
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		<title>To Science And Art &#8211; Changes in the film business</title>
		<link>http://filmdirectingtips.com/archives/6812</link>
		<comments>http://filmdirectingtips.com/archives/6812#comments</comments>
		<pubDate>Tue, 28 Jun 2011 12:11:45 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Personal Observations]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[science]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6812</guid>
		<description><![CDATA[by Fred Wilson. I was talking to a longtime reader of this blog, Chris Dorr, last night. Chris has been working in the film industry for a long time and blogs at the Tribeca Film Festival Blog. We were talking about changes in the film business and Chris blurted out that &#8220;filmakers and software developers [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>by Fred Wilson.</em></p>
<p>I was talking to a longtime reader of this blog, Chris Dorr, last night. Chris has been working in the film industry for a long time and blogs at the Tribeca Film Festival Blog.  We were talking about changes in the film business and Chris blurted  out that &#8220;filmakers and software developers need to start sleeping  together and it is starting to happen.&#8221;</p>
<p><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1580650546?tag=actiocutprint">Filmmaking is art</a>, particularly  great filmmaking. But the art of filmmaking has always been based on a  number of fundamental scientific inventions. And Chris&#8217; point is that  the art of filmmaking will continue to be impacted by scientific  inventions that are happening in real time.</p>
<p>Read the rest of this article from <a href="http://www.businessinsider.com/to-science-and-art-2011-6" target="_blank">Business Insider.</a></p>
<p><strong>Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 30 pages of my 220  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”</strong></p>
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		<title>Filmmaking is about artistic freedom</title>
		<link>http://filmdirectingtips.com/archives/6608</link>
		<comments>http://filmdirectingtips.com/archives/6608#comments</comments>
		<pubDate>Thu, 17 Mar 2011 13:08:48 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[artistic freedom]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6608</guid>
		<description><![CDATA[by Times of India. Having swept the top honours at the 83rd Academy Awards – including the Best Motion Picture, Best Director and Best Actor in a Lead Role – The King&#8217;s Speech joins a long list of critically acclaimed films that took liberty with historical facts. To expect otherwise would not be reasonable. Good [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>by Times of India.</em></p>
<p>Having swept the top honours at the 83rd Academy Awards – including  the Best Motion Picture, Best Director and Best Actor in a Lead Role –  The King&#8217;s Speech joins a long list of critically acclaimed films that  took liberty with historical facts. To expect otherwise would not be  reasonable. Good cinema has never been about getting historical details  right but about dramatising history in a manner that connects with  audiences.</p>
<p>Period dramas always leave scope for nitpicking, but that is hardly the point. Unlike in the movie Braveheart William Wallace never wore kilts. Roman emperor Commodus wasn&#8217;t killed in the Colosseum  as in Ridley Scott&#8217;s Gladiator. Perhaps the love story between emperor  Akbar and Jodhaa Bai in Jodhaa Akbar was exaggerated. Gandhi wasn&#8217;t the  blameless saint portrayed in the film Gandhi. So what? All these films  have the power to move us, and convey history in a manner that&#8217;s  relevant to large sections of the audience. And in the end, that is what  matters.</p>
<p>Read the rest of this article from <a href="http://articles.timesofindia.indiatimes.com/2011-03-01/edit-page/28643050_1_king-s-speech-filmmaking-lionel-logue" target="_blank">Times of India.</a></p>
<p><strong><a href="http://actioncutprint.com/subscription/"><img class="alignleft size-thumbnail wp-image-6554" title="tdc1" src="http://filmdirectingtips.com/wp-content/uploads/2011/02/tdc11-118x150.gif" alt="" width="118" height="150" /></a>Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”</strong></p>
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		<title>Film-making fans vs film fans.</title>
		<link>http://filmdirectingtips.com/archives/6329</link>
		<comments>http://filmdirectingtips.com/archives/6329#comments</comments>
		<pubDate>Sun, 13 Feb 2011 13:38:25 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Personal Observations]]></category>
		<category><![CDATA[film fans]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6329</guid>
		<description><![CDATA[by Angelo Bell. This is an email I sent to a friend when she asked about my new position and disposition on film-making fans vs film fans. I am a huge movie fan and my taste in movies is as eccentric and eclectic as anyone’s. I’ve spent the last week or so being a MOVIE [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>by</em> <em>Angelo Bell.</em></p>
<p>This is an email I sent to a friend when she asked about my new position and disposition on film-making fans vs film fans.</p>
<p><strong> </strong></p>
<p>I am a huge movie fan and my taste in movies is as eccentric and  eclectic as anyone’s. I’ve spent the last week or so being a MOVIE FAN,  not a FILMMAKER FAN, because a lot of the tweets and retweets and #FB  status messages are from filmmakers who are fans of other filmmakers,  not their movies.</p>
<p>Read the rest of this article from <a href="http://www.angelobell.com/2011/02/email-i-sent-to-a-friend/" target="_blank">AngeloBell.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>Analyze Technology in Filmmaking Past and Present</title>
		<link>http://filmdirectingtips.com/archives/6325</link>
		<comments>http://filmdirectingtips.com/archives/6325#comments</comments>
		<pubDate>Fri, 11 Feb 2011 13:21:59 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6325</guid>
		<description><![CDATA[by Valerie Williamson. Consider ways to analyze how technology influences style and genre in filmmaking, and if digital photography is a stylistic influence in popular film &#38; TV. Content analysis is a primary method of investigation in film and television studies. The skills developed in the process of making analyses are very useful to a [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>by Valerie Williamson.</em></p>
<p>Consider ways to analyze how technology influences style and genre in  filmmaking, and if digital photography is a stylistic influence in  popular film &amp; TV.</p>
<p>Content analysis is a primary method of investigation in film  and television studies. The skills developed in the process of making  analyses are very useful to a career in screen production. Genre  analyses may be made through a variety of &#8216;lenses&#8217;, depending on what  the proposed outcome of the study may be. One such ‘lens’ is that of  technology.</p>
<p>Read more at <a href="http://www.suite101.com/content/analyze-technology-in-filmmaking-past-and-present-a340582" target="_blank">Suite101.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>Bridgewater Filmmaker/Photographer Encourages Artistry Over Technology</title>
		<link>http://filmdirectingtips.com/archives/6108</link>
		<comments>http://filmdirectingtips.com/archives/6108#comments</comments>
		<pubDate>Thu, 20 Jan 2011 13:37:29 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6108</guid>
		<description><![CDATA[This article was written by MaryLynn Schiavi. He peers out into the world at people, places and objects, but what he sees is something different than most. Filmmaker and photographer Harry Hillard, 55, is intrigued by, and passionate about, the use of light, and has dedicated his career to mastering it and using it to [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written by MaryLynn Schiavi.</em></p>
<p>He peers out into the world at people, places and objects, but what he sees is something different than most. Filmmaker and photographer Harry Hillard, 55, is intrigued by, and  passionate about, the use of light, and has dedicated his career to  mastering it and using it to convey a particular reality.</p>
<p>Hillard, a lifelong resident of Bridgewater, earned a Master of Fine  Arts degree at New York University Film School and has worked as a  professional still photographer and filmmaker for more than 30 years.</p>
<p>Read the rest of this article from <a href="http://bridgewater.patch.com/articles/bridgewater-filmmakerphotographer-encourages-artistry-over-technology" target="_blank">BridgewaterPatch.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>Films Based on True Stories: More Interesting for Audiences, Daunting for Hollywood</title>
		<link>http://filmdirectingtips.com/archives/6102</link>
		<comments>http://filmdirectingtips.com/archives/6102#comments</comments>
		<pubDate>Sun, 16 Jan 2011 13:22:35 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[true stories]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6102</guid>
		<description><![CDATA[This article was written by Amy Outland. Many of the films nominated for Academy Awards this year are based on true stories.  Films based on true stories are often compelling for audiences but according to Steven Zeitchik, real-life stories make the filmmaking process harder for directors, actors and other industry executives. You’re probably thinking that [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written by  Amy Outland.</em></p>
<p>Many of the films nominated for Academy Awards this year are based on  true stories.  Films based on true stories are often compelling for  audiences but according to Steven Zeitchik, real-life stories make the  filmmaking process harder for directors, actors and other industry  executives.</p>
<p>You’re probably thinking that there can’t possibly be  that many films based on true stories in theaters now right?  Wrong.   According to Zeitchik’s article <em>From Real To Reel</em>, there are at  least thirteen such films including <em>127 Hours, The Social Network, The King’s Speech, Conviction, The Fighter,</em> and <em>Love &amp; Other Drugs</em>, just to name a few.</p>
<p>Read the rest of this article from <a href="http://entertainment.gather.com/viewArticle.action?articleId=281474978887311" target="_blank">Entertainment.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>Can You Answer These Filmmaking Math Questions?</title>
		<link>http://filmdirectingtips.com/archives/6096</link>
		<comments>http://filmdirectingtips.com/archives/6096#comments</comments>
		<pubDate>Fri, 14 Jan 2011 13:14:11 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6096</guid>
		<description><![CDATA[This article was written by Jason Brubaker. A few weeks back, I came to the realization that selling movies on the internet was no different than any other kind of eCommerce. So using the same forumlas I utilize to market my Action Packs, I plugged some numbers into an internet marketing ROI calculator. I did [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written by Jason Brubaker.</em></p>
<p>A few weeks back, I came to the realization that selling movies on the  internet was no different than any other kind of eCommerce. So using the  same forumlas I utilize to market my Action Packs, I plugged some numbers into an internet marketing   ROI calculator.</p>
<p>I did this because the prospective investors in my life often ask how their money will be spent and recouped. Given the discriminatory nature of  traditional distribution, I wanted to see what it would take to make  internet distribution a viable sales channel. So I started crunching  numbers with one assumption – if filmmakers can make the numbers work  for each  project, filmmakers would no longer have to rely on the  glaringly flawed: <em>“Gee, I sure hope we get into a film festival and garner a great deal” </em>distribution strategy.</p>
<p>Read the rest of this article from <a href="http://www.filmmakingstuff.com/2010/12/filmmaking-math-question-how-do-filmmakers-justify-a-buget-large-enough-to-pay-day-rates-while-at-the-same-time-project-enough-realistic-sales-to-recoups-does-it-take-to-recoup-your-initial-in/" target="_blank">FilmmakingStuff.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>The process behind filmmaking</title>
		<link>http://filmdirectingtips.com/archives/5956</link>
		<comments>http://filmdirectingtips.com/archives/5956#comments</comments>
		<pubDate>Sun, 05 Dec 2010 12:35:47 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[filmmaking]]></category>

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		<description><![CDATA[This article was written by Adil Sher. There are only two kinds of films: good or bad. Anything in-between is often vague and pretentious. Now the big question is how you can make a good film when making a bad one can be just as difficult. A good script, I believe, is the answer. However [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written by Adil Sher.</em></p>
<p>There are only two kinds of films: good or bad. Anything in-between  is often vague and pretentious. Now the big question is how you can make  a good film when making a bad one can be just as difficult.</p>
<p>A good script, I believe, is the answer. However while developing a  script you really believe in, it is very likely that you will lose your  objectivity in the process. As parents have the tendency to believe  their children are perfect and can do nothing wrong, a filmmaker can  also develop the same misconception.</p>
<p>Read the rest of this article from <a href="http://blog.dawn.com/2010/11/22/the-process-behind-filmmaking/" target="_blank">Blog Dawn.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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		<title>Amazon Eyes Hollywood, Unveils Filmmaking Business</title>
		<link>http://filmdirectingtips.com/archives/5927</link>
		<comments>http://filmdirectingtips.com/archives/5927#comments</comments>
		<pubDate>Wed, 24 Nov 2010 12:21:02 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[In The News]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=5927</guid>
		<description><![CDATA[This article was written for DesignTaxi. Amazon Studios, a new online business, invites filmmakers and screenwriters around the world to submit their full-length movies and scripts for profit. This portal allows budding Michael Bay&#8217;s or Steven Spielberg&#8217;s to be discovered and get their movie made.  Amazon Studios will offer a total of $2.7 million to [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written for DesignTaxi.</em></p>
<p>Amazon Studios, a new  online business, invites filmmakers and screenwriters around the world  to submit their full-length movies and scripts for profit. This portal  allows budding Michael Bay&#8217;s or Steven Spielberg&#8217;s to be discovered and  get their movie made.   Amazon Studios will offer a total of $2.7 million to the top submissions received by 31 December 2011.</p>
<p>Read the rest of this article from <a href="http://www.designtaxi.com/news/33436/Amazon-Eyes-Hollywood-Unveils-Filmmaking-Business/?page=1" target="_blank">DesignTaxi.</a></p>
<p><strong>—–<br />
Sign up now for your own FREE monthly subscription to “<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director’s Chair</a>” filmmaking ezine and get the first 28 pages of my 210  page Film Directing Multi-Media Online course, “<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.”<br />
—–</strong></p>
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