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	<title>Film Directing Tips, Film Making Articles and Online Resources for the Independent Filmmaker &#187; directing</title>
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	<link>http://filmdirectingtips.com</link>
	<description>Filmmaking Articles and Film Directing Advice from Film Director Peter D. Marshall</description>
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		<title>Bobby Roth: On Directing One Day Master Class</title>
		<link>http://filmdirectingtips.com/archives/6613</link>
		<comments>http://filmdirectingtips.com/archives/6613#comments</comments>
		<pubDate>Wed, 09 Mar 2011 05:39:22 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Workshops]]></category>
		<category><![CDATA[Bobby Roth]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Television]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=6613</guid>
		<description><![CDATA[Bobby Roth has come up with a seminar on directing for network TV and independent film that is beneficial for aspiring directors and actors alike. He takes his students through the process from the first day of prep through through post production, with a strong emphasis on casting and directing actors, as well as his technique [...]]]></description>
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</script></div><p><a href="http://filmdirectingtips.com/wp-content/uploads/2011/03/ROTH3copyHERO1.jpg"><img class="alignleft size-medium wp-image-6614" title="ROTH3copyHERO1" src="http://filmdirectingtips.com/wp-content/uploads/2011/03/ROTH3copyHERO1-231x300.jpg" alt="" width="231" height="300" /></a>Bobby Roth has come up with a seminar on directing for network TV and  independent film that is beneficial for aspiring directors and actors  alike.</p>
<p>He takes his students through the process from the first day of  prep through through post production, with a strong emphasis on casting  and directing actors, as well as his technique of envisioning the scene  so one can make a complete and detailed shot list necessary for both  artistic excellence and efficiency.</p>
<p>Check out <a href="https://www.youtube.com/watch?v=wnHzr6gnkvk&amp;feature=player_embedded#at=87" target="_blank">Bobby&#8217;s Demo Reel</a>.</p>
<p><strong>Saturday, April 16, 2011</strong><br />
<strong>Working Stage Theater</strong><br />
<strong>1516 N. Gardner St.</strong><br />
<strong>West Hollywood, CA 90046</strong><br />
<strong><a href="mailto:bobbyrothdirectingseminar@gmail.com">bobbyrothdirectingseminar@gmail.com</a></strong></p>
<p>From <em>Miami Vice</em> to <em>Prison Break</em> and <em>Lost</em>, Bobby Roth has directed  over           50 US television series in his 30-year career, also  serving as Executive           Producer and Producer on the 1985 ABC  series <em>The Insiders</em> and the 2005           CBS series N<em>umb3rs</em>.</p>
<p>In addition, Roth has directed 20 movies for           television, including the award-winning 2005 CBS <em>Elizabeth Smart Story</em>.           Roth also has 13 feature films to his credit, from the celebrated 1984 Heartbreakers to his recent release, the award-winning Berkeley.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<item>
		<title>What is better to pursue in the Film industry Screenwriting or Directing?</title>
		<link>http://filmdirectingtips.com/archives/5148</link>
		<comments>http://filmdirectingtips.com/archives/5148#comments</comments>
		<pubDate>Thu, 22 Apr 2010 13:40:37 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Personal Observations]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[screen writing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=5148</guid>
		<description><![CDATA[This article was written for Get Film Crew. &#8220;I am a film major and am being given the option to focus on directing or screenwriting although I am not sure on what to do. What would you guys do? The issue is not if you’re a people person or a loner. There are plenty of [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written for Get Film Crew. </em></p>
<p>&#8220;I am a film major and am being given the option to focus on directing or  screenwriting although I am not sure on what to do. What would you guys  do?</p>
<p>The issue is not if you’re a people person or a loner.  There are  plenty of Directors I know who are very much not the life of the party  and they could care less about your feelings.  They care about getting  the job done and everybody around them doing their jobs.  So that the  story can be told.  Everything else is secondary.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.getfilmcrew.com/film-directing/what-is-better-to-pursue-in-the-film-industry-screenwriting-or-directing" target="_blank">Get Film Crew.</a></p>
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		</item>
		<item>
		<title>How to become a celebrated film director</title>
		<link>http://filmdirectingtips.com/archives/5049</link>
		<comments>http://filmdirectingtips.com/archives/5049#comments</comments>
		<pubDate>Mon, 29 Mar 2010 13:04:29 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[filmmaking]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=5049</guid>
		<description><![CDATA[This article was written by Lynden Barber. &#8220;There is no official, sanctified path into film directing, as former video-store clerk Quentin Tarantino reminded everyone within earshot for years. For every film-school graduate sitting in the big canvas chair there&#8217;s someone who has honed their skills in music clips, television and cinema commercials or, for that [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This article was written by Lynden Barber.</em></p>
<p>&#8220;There is no official, sanctified path into film directing, as former  video-store clerk Quentin Tarantino reminded everyone within earshot for  years. For every film-school graduate sitting in the big canvas chair  there&#8217;s someone who has honed their skills in music clips, television  and cinema commercials or, for that matter, theatre, photography,  writing or art.</p>
<p>A background in another art form is certainly no  impediment to success in film. Since cinema is a medium combining many  practices &#8211; sound, visual design, storytelling, costumes, photography,  drama, acting &#8211; artists with visual and story sense and strong  leadership qualities have a better than average chance of rising to the  directorial occasion.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.theaustralian.com.au/news/arts/how-to-become-a-celebrated-director/story-e6frg8n6-1225838824907" target="_blank">The Australian.</a></p>
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		<item>
		<title>YouTube Success Lands Filmmaker A Real Hollywood Directing Gig</title>
		<link>http://filmdirectingtips.com/archives/4177</link>
		<comments>http://filmdirectingtips.com/archives/4177#comments</comments>
		<pubDate>Fri, 18 Dec 2009 12:43:42 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=4177</guid>
		<description><![CDATA[&#8220;Remember how hard it used to be to get famous or get your foot in the door in Hollywood? It used to be that you had to either know someone in the industry (usually a relative… see “The Baldwin Brothers” or “Casey Affleck”) or you had to have an impressive resume of directing music videos [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>&#8220;Remember how hard it used to be to get famous or get your foot in the door in Hollywood? It used to be that you had to either know someone in the industry (usually a relative… see “The Baldwin Brothers” or “Casey Affleck”) or you had to have an impressive resume of directing music videos and television commercials (see Spike Jonze or Michael Bay).</p>
<p>These days, though, the Internet is the great equalizer. Aspiring singers, writers, and yes… even filmmakers, can carve out a career path all on their own.</p>
<p>Today we have further evidence of this trend, with the Hollywood Reporter story on the director of “Panic Attack.”</p>
<p>“Panic Attack” is a short film on YouTube that was made for a few hundred dollars by a filmmaker from Uruguay named Fede Alvarez. The film, which runs 4 minutes and 48 seconds, is about a fleet of robots attacking the city of Montevideo, and the public panic that ensues. It has been viewed over half a million times.&#8221;</p>
<p>Read rest of this article from <a href="http://www.reelseo.com/youtube-success-lands-filmmaker-real-hollywood-directing-gig/" target="_blank">Real SEO.</a></p>
<p><strong><span style="font-weight: bold;">———-</span></strong></p>
<p><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html"><img title="tdc1" src="../wp-content/uploads/2009/02/tdc1-118x150.gif" alt="" width="94" height="120" /></a></p>
<p><span style="font-weight: bold;"><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong></span><span style="font-weight: bold;"><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></span></p>
<p><strong>———</strong></p>
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		</item>
		<item>
		<title>The Chemistry of Film Direction</title>
		<link>http://filmdirectingtips.com/archives/3489</link>
		<comments>http://filmdirectingtips.com/archives/3489#comments</comments>
		<pubDate>Sat, 05 Sep 2009 22:58:18 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[film direction]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=3489</guid>
		<description><![CDATA[&#8220;The person, who shapes a program’s message through the manipulation of the artistic and technical elements, seeking to maximize their effect up on audience,. “directing is the sum total of artistic and technical operations which enables the play as conceived by the author to pass from the abstract, talent state, that of the written script, [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>&#8220;The person, who shapes a program’s message through the manipulation of the artistic and technical elements, seeking to maximize their effect up on audience,. “directing is the sum total of artistic and technical operations which enables the play as conceived by the author to pass from the abstract, talent state, that of the written script, to concrete and actual life on the style”. Jaques Lopeau, encyclopedia Franaise, December 1935.&#8221;</p>
<p>Read rest of article from <a href="http://blog.crjayaprakash.com/?p=623" target="_blank">Binoj</a>.</p>
<p><strong><span style="font-weight: bold;">———-</span></strong></p>
<p><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html"><img class="alignnone size-thumbnail wp-image-1645" title="tdc1" src="../wp-content/uploads/2009/02/tdc1-118x150.gif" alt="" width="94" height="120" /></a></p>
<p><span style="font-weight: bold;"><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong></span><span style="font-weight: bold;"><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></span></p>
<p><strong>———</strong></p>
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		<title>What On-Camera Directors Mean When They Say&#8230;</title>
		<link>http://filmdirectingtips.com/archives/3431</link>
		<comments>http://filmdirectingtips.com/archives/3431#comments</comments>
		<pubDate>Thu, 20 Aug 2009 15:30:29 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[directing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=3431</guid>
		<description><![CDATA[&#8220;Film and TV directors are notorious for not speaking the actor&#8217;s language. Actors fresh out of drama school or with a stage background or with very little acting experience can be baffled by the directions they&#8217;re getting. Worse, they can be led astray — into indicating and/or result-oriented work.&#8221; Read this article from Backstage.com ———- [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>&#8220;Film and TV directors are notorious for not speaking the actor&#8217;s language. Actors fresh out of drama school or with a stage background or with very little acting experience can be baffled by the directions they&#8217;re getting. Worse, they can be led astray — into indicating and/or result-oriented work.&#8221;</p>
<p>Read this article from <a href="http://www.backstage.com/bso/advice-columns/actors-craft/the-craft/article_display.jsp?vnu_content_id=1003918033" target="_blank">Backstage.com</a></p>
<div>
<div>
<div>
<p><strong><span style="font-weight: bold;">———-</span></strong></p>
<p><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html"><img class="alignnone size-thumbnail wp-image-1645" title="tdc1" src="../wp-content/uploads/2009/02/tdc1-118x150.gif" alt="" width="94" height="120" /></a></p>
<p><span style="font-weight: bold;"><strong><a onclick="javascript:urchinTracker('/outbound/snipurl.com/f32fz?ref=/'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz'); javascript:urchinTracker('/outbound/snipurl.com/f32fz');" href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE monthly subscription to “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank">The Director’s Chair</a>” filmmaking ezine and get: (1) Day One of my 201 page mutli-media Online film directing audio course, “<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/audioseminar-aotd1.html');" href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><em>The Art and Craft of the Director Audio Seminar</em>”</a> and (2) </strong></span><span style="font-weight: bold;"><strong>the first 24 pages (plus mp3 audio) of my 137 page <em>“<a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html');" href="http://www.actioncutprint.com/sbfs/scriptbreakdown-filmscheduling1.html" target="_blank">Script Breakdown and Film Scheduling Online Course For Independent Filmmakers</a>.”</em><a onclick="javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html?ref=/'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html'); javascript:urchinTracker('/outbound/www.actioncutprint.com/ezine-fdt.html');" href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></span></p>
<p><strong>———-</strong></div>
</div>
</div>
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		<title>Film Directing Tips &#8211; what it really means to be a director</title>
		<link>http://filmdirectingtips.com/archives/1533</link>
		<comments>http://filmdirectingtips.com/archives/1533#comments</comments>
		<pubDate>Fri, 06 Feb 2009 16:00:58 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[directing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=1533</guid>
		<description><![CDATA[This article is from Moviemaker Magazine. &#8220;Many of us have made films (short films, long films) and we take great pride in saying, “I made that.” But did we really? We say we’re “directors.” We say we “make films.” We may even call ourselves “moviemakers.” But what do we really do?&#8221; Read rest of aticle. [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>This article is from <a href="http://www.moviemaker.com/directing/article/tales_from_the_directors_chair_3383/" target="_blank">Moviemaker Magazine.</a></p>
<p>&#8220;Many of us have made films (short films, long films) and we take great pride in saying, “I made that.” But did we really? We say we’re “directors.” We say we “make films.” We may even call ourselves “moviemakers.” But what do we <em>really</em> do?&#8221; <a href="http://www.moviemaker.com/directing/article/tales_from_the_directors_chair_3383/" target="_blank"><strong>Read rest of aticle</strong></a>.</p>
<p>&#8212;&#8212;&#8212;-</p>
<p><img class="alignnone size-thumbnail wp-image-1645" title="tdc1" src="../wp-content/uploads/2009/02/tdc1-118x150.gif" alt="" width="118" height="150" /></p>
<p><span style="font-weight: bold;"><strong><strong>THE DIRECTOR’S CHAIR</strong>: Sign up for your own FREE subscription to “The Director’s Chair” filmmaking ezine, packed with hundreds of film making articles, tips, tools and techniques. This FREE monthly Film Directing ezine is read by over 3200 filmmakers in 100 countries around the world. <a href="http://www.actioncutprint.com/ezine.html" target="_blank">http://www.actioncutprint.com/ezine.html</a></strong></span></p>
<p>———-</p>
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		<title>Film Independent announces Directors Close-Up</title>
		<link>http://filmdirectingtips.com/archives/1524</link>
		<comments>http://filmdirectingtips.com/archives/1524#comments</comments>
		<pubDate>Wed, 04 Feb 2009 16:00:34 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[In The News]]></category>
		<category><![CDATA[directing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=1524</guid>
		<description><![CDATA[This article is from IndieWire. &#8220;Film Independent, announced the lineup for the ninth annual Directors Close-Up: Conversations on the Art of Filmmaking, formerly known as the Director Series. Series panelists this year include Elliot Davis (cinematographer, “Twilight,” “Lords of Dogtown”), Rodrigo Garcia (“In Treatment,” “Nine Lives”), Lance Hammer (“Ballast”), Catherine Hardwicke (“Twilight,” “Lords of Dogtown”), [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>This article is from <a href="http://www.indiewire.com/article/film_independent_announces_directors_close-up/" target="_blank">IndieWire.</a></p>
<p>&#8220;Film Independent, announced the lineup for the ninth annual Directors Close-Up: Conversations on the Art of Filmmaking, formerly known as the Director Series. Series panelists this year include Elliot Davis (cinematographer, “Twilight,” “Lords of Dogtown”), Rodrigo Garcia (“In Treatment,” “Nine Lives”), Lance Hammer (“Ballast”), Catherine Hardwicke (“Twilight,” “Lords of Dogtown”), Oscar nominee Courtney Hunt (“Frozen River”), Jonathan Levine (“The Wackness”), Nancy Richardson (editor, “Twilight,” “Lords of Dogtown”), Howard Rodman (screenwriter, “Savage Grace”), with additional names to be announced. The events will be held February 4 &#8211; March 11, 2009 at The Landmark &#8211; West Los Angeles.&#8221; <strong><a href="http://www.indiewire.com/article/film_independent_announces_directors_close-up/" target="_blank">Read rest of article.</a></strong></p>
<p><span style="font-weight: bold;">—<br />
<strong>Sign up for your own FREE subscription to “The Director’s Chair” filmmaking ezine, packed with hundreds of film making articles, tips, tools and techniques. This FREE monthly Film Directing ezine is read by over 3100 filmmakers in 100 countries around the world. <a href="http://www.actioncutprint.com/ezine.html" target="_blank">http://www.actioncutprint.com/ezine.html</a></strong></span></p>
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		<title>It&#8217;s a Wrap &#8211; one filmmaker comments on directing her first feature film.</title>
		<link>http://filmdirectingtips.com/archives/1002</link>
		<comments>http://filmdirectingtips.com/archives/1002#comments</comments>
		<pubDate>Wed, 31 Dec 2008 17:23:10 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Filmmaking Tips]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[indie films]]></category>

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		<description><![CDATA[Leena Pendharkar is a filmmaker living in Los Angeles. She just finished shooting her first feature film, &#8220;Raspberry Magic.&#8221; &#8220;The past eight weeks of my life have been more insane than I could ever have imagined, but we did it! After two years of raising money, we finally made it all happen and shot the [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><span class="style14">Leena Pendharkar is a filmmaker living in Los Angeles. She just finished shooting her first feature film, </span><a href="http://www.raspberrymagic.com/">&#8220;Raspberry Magic</a>.&#8221;</p>
<p>&#8220;The past eight weeks of my life have been more insane than I could ever have imagined, but we did it! After two years of raising money, we finally made it all happen and shot the film! Directing a feature film is an entirely different experience than making a short film&#8211;it was hard, it was challenging, the days were long, but I really enjoyed directing. Of course, there are many things I&#8217;ll do differently next time, but there were so many things I didn&#8217;t anticipate, some of which include:&#8221; <a href="http://anotherindiefilmmaker.blogspot.com/2008/12/its-wrap.html" target="_blank"><strong>Read rest of article here.</strong></a></p>
<p><span style="font-weight: bold;">—––<br />
<strong>Sign up for your own FREE subscription to “The Director’s Chair” filmmaking ezine, packed with hundreds of film making articles, tips, tools and techniques. This FREE monthly Film Directing ezine is read by over 3000 filmmakers in 100 countries around the world. <a href="http://www.actioncutprint.com/ezine.html" target="_blank">http://www.actioncutprint.com/ezine.html</a></strong><br />
—–</span></p>
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		<title>&#8220;It&#8217;s aLive&#8230;it&#8217;s aLive!&#8221; &#8211; Peter D. Marshall&#8217;s &#8220;Damn the Doom-and-Gloom 7-Day Fire Sale for Filmmakers&#8221; is Live!</title>
		<link>http://filmdirectingtips.com/archives/702</link>
		<comments>http://filmdirectingtips.com/archives/702#comments</comments>
		<pubDate>Wed, 10 Dec 2008 05:06:24 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Making Resources]]></category>
		<category><![CDATA[audio seminar]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[filmmaking products]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=702</guid>
		<description><![CDATA[On Wednesday, December 10, 2008 I released Peter D. Marshall&#8217;s &#8220;Damn the Doom-and-Gloom 7-Day Fire Sale for Filmmakers.&#8221; So what is this 7-Day Fire Sale for Filmmakers? &#8220;The Art and Craft of the Director Audio Seminar&#8221; is a 10-day film directing audio course I am offering to filmmakers at rock-bottom prices for one week, starting [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>On Wednesday, December 10, 2008 I released Peter D. Marshall&#8217;s &#8220;<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><strong>Damn the Doom-and-Gloom 7-Day Fire Sale for Filmmakers.&#8221;</strong></a></p>
<p>So what is this 7-Day Fire Sale for Filmmakers?<strong> </strong></p>
<p><strong>&#8220;The Art and Craft of the Director Audio Seminar&#8221;</strong> is a 10-day film directing audio course I am offering to filmmakers at rock-bottom prices for one week, starting Wednesday, December 10. I will then raise the price of the audio seminar every few days until the 7-Day Fire Sale is over.</p>
<p><strong>&#8220;The Art and Craft of the Director Audio Seminar&#8221;</strong> is a 162 page multi-media pdf eBook packed full of insider film directing tips and tools supported by over 550 film making reference links, videos and audio files you can download onto your computer. No CD&#8217;s, no DVD&#8217;s, no shipping!  (This 10-day course is currently selling at $37.00!)</p>
<p>Here are a comments from two filmmakers who just purchased &#8220;The Art and Craft of the Director Audio Seminar&#8221; on Wednesday, December 10:</p>
<p><em>&#8220;I am listening to the first audio file and just as I was hoping, it is a voice for the thoughts that go through your head while making a movie, and it is like having an understanding friend keep you company, filling the ideas flowing with life and warmth. Thanks Peter!&#8221; <strong>Steve Bishart, Studio City CA, USA</strong></em></p>
<p><em>&#8220;Just got your download. The course looks stunning, well-laid out, highly referenced and very organized. The combination of visual, audio and text is elaborately comprehensive. I look forward to getting into it. Directing my second feature this spring, so the inspiration is welcome.<strong> Verne Varona, New York, New York, USA</strong></em></p>
<p>Here is the price breakdown for the <strong>&#8220;Damn the Doom-and-Gloom 7-Day Fire Sale for Filmmakers!&#8221;</strong></p>
<p>*<strong>COMPLETED</strong> Days 1, 2: Wed. Dec. 10 &#8211; Thur. Dec. 11 ($7.00)</p>
<p>*Days 3, 4, 5: Friday, Dec. 12 to Sunday Dec. 14 ($17.00)</p>
<p>*Days 6, 7: Monday Dec. 15 to Tuesday Dec. 16 ($27.00)</p>
<p>On Wednesday, Dec. 17, &#8220;<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank"><strong>The Art and Craft of the Director Audio Seminar</strong></a>&#8221; returns to it&#8217;s current price of $37.00.</p>
<p>If you have ever visited my website, or read any of my ezine articles or blog posts, you know that I have a mission to make my film knowledge available to as many filmmakers around the world as possible.</p>
<p>And this 7-Day Fire Sale is just another way I can share the skills and tools I have learned over the past 35 years in the film and television business.</p>
<p>To take advantage of these reduced prices for the next 7 days, please click on the following link to visit Peter D. Marshall&#8217;s &#8220;<strong><a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">Damn the Doom-and-Gloom 7-Day Fire Sale for Filmmakers.</a>&#8220;</strong></p>
<p>All the best (and &#8220;Damn the Doom-and-Gloom!&#8221;)</p>
<p>Peter</p>
<p><strong>P.S.</strong> Here are some more comments from filmmakers who have previously purchased the <strong>&#8220;The Art and Craft of the Director Audio Seminar:&#8221;</strong></p>
<p><em>&#8220;I was co-directing a music video on the weekend and a lot of the advice from your seminar stuck in my head and helped me through the two days. Just wanted to say thank you and that your audio seminar definitely helped a lot, especially the info about director prep and how to work with people.&#8221;<strong> Luke White, Gravesend, United Kingdom</strong></em></p>
<p><em>&#8220;I definitely thought this course was worthwhile and informative.  It helped to flesh out some of my own vague ideas about how the industry of film worked and it helped me to reconceptualize many misconceptions I had about the industry and politics of the business.  While the course alone was worth every penny and minute, the website attachments and ideas for books were an added bonus that provided me with every opportunity to continue to learn the valuable ins and outs of the business. Thanks again.&#8221;<strong> Todd Donnelly &#8211; Brooklyn NY, USA</strong></em></p>
<p><em>&#8220;I have really enjoyed the seminar and have learned so much from all your experiences and thoughts about the film industry. I recently graduated from college (it was not a &#8220;film school&#8221;) and none of my film classes covered anything like what your seminar taught me. Your real world experience and detailed analysis of the movie-making process covered more ground and made so much sense to me; it was the cake when all I&#8217;d had was icing. Thanks for all your time in research and preparation. This seminar was invaluable. You and I will probably never know how your lessons will play a part in my life and career.&#8221; <strong>Lauren Morton, California, USA</strong></em></p>
<p><em>&#8220;I have listened to the audio files and found the information to be confidence boosting and extremely informative. I strongly recommend it to film makers of any level, especially the amateurs, to purchase this course&#8230;because it&#8217;s WORTH a full time film school. Peter thanks for your contribution to the budding film makers. I will be the first person to invest on your forth coming courses.&#8221; <strong>Amar &#8211; India</strong></em></p>
<p><em>&#8220;Just ordered the course, great price! I liked what you said about passion and truth, that is the crux of the whole thing and it is  what sold me more than anything about buying this course.  Without those two qualities, one might as well sweep floors or do any other job for that matter.&#8221;<strong> Pete Castellano &#8211; Assistant Dean, Finance, College of Social and Behavioral Sciences, University of Arizona</strong><br />
</em></p>
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