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	<title>Film Directing Tips, Film Making Articles and Online Resources for the Independent Filmmaker &#187; Film Music</title>
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	<description>Filmmaking Articles and Film Directing Advice from Film Director Peter D. Marshall</description>
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		<title>Music copyright and filmmaking</title>
		<link>http://filmdirectingtips.com/archives/5639</link>
		<comments>http://filmdirectingtips.com/archives/5639#comments</comments>
		<pubDate>Sun, 05 Sep 2010 12:25:53 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Music]]></category>
		<category><![CDATA[copyright]]></category>

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		<description><![CDATA[This article was written for EOSHD. &#8220;One of the great things about Vimeo is that it feels like a big university campus, off the main street and away from regular commercial business. On Vimeo you can usually let your creativity go unfettered by copyright concerns, advertising banners and troll comments. Quite different from YouTube. Unfortunately [...]]]></description>
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</script></div><p><em>This article was written for EOSHD.</em></p>
<p>&#8220;One of the great things about Vimeo is that it feels like a big  university campus, off the main street and away from regular commercial  business. On Vimeo you can usually let your creativity go unfettered by  copyright concerns, advertising banners and troll comments. Quite  different from YouTube.</p>
<p>Unfortunately I recently had a take down notice on my Philip Bloom  London Meet-up video because the record company behind the sound track  for A Clockwork Orange threatened Vimeo and asked for the video to be  removed. I didn&#8217;t really mind too much &#8211; because to the music industry&#8217;s  credit, the corporate attitude of days-gone-by does seem to be changing  and their understanding of the internet is growing.&#8221;</p>
<p>Read the rest of this article from <a href="http://www.eoshd.com/content/304-Music-copyright-and-filmmaking-Serendip-LLC" target="_blank">EOSHD.</a></p>
<p><strong>&#8212;&#8211;<br />
Sign up now for your own FREE monthly subscription to &#8220;<a href="http://actioncutprint.com/subscription/" target="_blank">The  Director&#8217;s Chair</a>&#8221; filmmaking ezine and get <span style="text-decoration: underline;">the first 28 pages</span> of my 210  page Film Directing Multi-Media Online course, &#8220;<a href="http://www.actioncutprint.com/audioseminar-aotd1.html" target="_blank">The Art and Craft of the Director Audio Seminar</a>.&#8221;<br />
&#8212;&#8211;</strong></p>
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		<title>Music for Film: people dedicated to the pursuit of making music for films</title>
		<link>http://filmdirectingtips.com/archives/2549</link>
		<comments>http://filmdirectingtips.com/archives/2549#comments</comments>
		<pubDate>Fri, 08 May 2009 15:47:40 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Music]]></category>
		<category><![CDATA[film composing]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=2549</guid>
		<description><![CDATA[Read this article from Bostonist &#8220;On Friday, Berklee hosted composers, filmmakers, and miscellaneous artistic types for a Music for Film networking event. Co-sponsored by Beanywood, the evening offered the opportunity to hear music from up-and-coming composers, as well as panel presentations from folks in the industry. Overall, it was an excellent opportunity to meet people [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>Read this article from<a href="http://bostonist.com/2009/04/12/music_for_film_at_berklee_mason_daring.php" target="_blank"> Bostonist</a></p>
<p>&#8220;On Friday, Berklee hosted composers, filmmakers, and miscellaneous artistic types for a  Music for Film networking event. Co-sponsored by Beanywood, the evening offered the opportunity to hear music from up-and-coming composers, as well as panel presentations from folks in the industry. Overall, it was an excellent opportunity to meet people dedicated to the pursuit of making music for films, and a chance for writers like us to get a glimpse behind the scenes of movies.&#8221;</p>
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<p><span style="font-weight: bold;">———-</span></p>
<p><img class="alignnone size-thumbnail wp-image-1645" title="tdc1" src="../wp-content/uploads/2009/02/tdc1-118x150.gif" alt="" width="118" height="150" /></p>
<p><span style="font-weight: bold;"><strong><a href="http://snipurl.com/f32fz" target="_blank"><strong>THE DIRECTOR’S CHAIR</strong></a>: This month’s feature article is called “</strong></span><em><strong>Metamorphosis</strong></em><span style="font-weight: bold;"><strong><em> Filmmaker.</em>” </strong></span><span style="font-weight: bold;"><strong><a href="http://snipurl.com/f32fz" target="_blank">Sign up now</a> for your own FREE subscription to “The Director’s Chair” filmmaking ezine, and get the first 28 pages of my 201 page mutli-media Online film directing ebook, “<em><a href="http://snipurl.com/f32fz" target="_blank">The Art and Craft of the Director Audio Seminar</a></em>” for free.</strong></span><span style="font-weight: bold;"><strong><a href="http://www.actioncutprint.com/ezine-fdt.html" target="_blank"><br />
</a></strong></span></p>
<p>———-</p></div>
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		<title>The Process of Film Scoring &#8211; Richard Davis</title>
		<link>http://filmdirectingtips.com/archives/1251</link>
		<comments>http://filmdirectingtips.com/archives/1251#comments</comments>
		<pubDate>Mon, 19 Jan 2009 19:57:13 +0000</pubDate>
		<dc:creator>Peter D. Marshall</dc:creator>
				<category><![CDATA[Film Music]]></category>

		<guid isPermaLink="false">http://filmdirectingtips.com/?p=1251</guid>
		<description><![CDATA[This article is from Film and Game Composers. &#8220;A while back, I read “A Complete Guide to Film Scoring” by Richard Davis. Its a great book and definitively well worth the read. Here is the synopsis of the book: “If you’ve ever wondered how to write music for film or television, The Complete Guide to [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>This article is from <a href="http://filmandgamecomposers.com/blog/?p=414" target="_blank">Film and Game Composers</a>.</p>
<p>&#8220;A while back, I read “A Complete Guide to Film Scoring” by Richard Davis. Its a great book and definitively well worth the read. Here is the synopsis of the book:</p>
<p>“If you’ve ever wondered how to write music for film or television, The Complete Guide to Film Scoring is a necessary resource. This guide will take you through the film-making process, preparing and recording a score, the history of the field, and the business side of film scoring including contracts, fees, publishing, royalties, and copyrights.</p>
<p>Learn from the career experiences of 19 film-scoring professionals in interviews with composers such as Michael Kamen (Mr. Holland’s Opus, Brazil), Alf Clausen (The Simpsons, Naked Gun), Alan Silvestri (Forrest Gump, Contact), Mark Snow (X-Files, Millennium) and Elmer Bernstein (To Kill a Mockingbird, Airplane, Rainmaker).”</p>
<p>Anyway, I recently found this video series by Richard Davis on youtube which is very interesting.  Topics he covers include:&#8221; <a href="http://filmandgamecomposers.com/blog/?p=414" target="_blank"><strong>Watch videos here.</strong></a></p>
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