by Joe Berkowitz.
If you were looking to explain the dichotomy of cinema on both a monetary and creative level, you could do worse than using as examples Marvel Studios and Troma Entertainment. One is the comic book-powered megabrand whose superpower is churning out intersecting billion-dollar franchises. The other is the schlock-factory behind movies like Bikini Swamp Girl Massacre.
One plans out its slate of new projects years in advance, each new announcement generating worldwide headlines, while the other appears to be making it up as they go along in a charmingly ramshackle collective stream of conscious. Although the two entities have collaborated together in the comic book realm several times, their most recent common lineage is James Gunn.
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