6 Filmmaking Tips from Shirley Clarke

by Peter D. Marshall

by Landon Palmer.


Shirley Clarke grew up wealthy, the daughter of a manufacturing magnate and a family fortune. She had an extensive education between four universities, and married to escape her father’s tyrannical control of her adult life. At first Clarke pursued modern dance in New York City but, failing to secure a future for herself in one art form, she began making experimental, avant-garde and documentary films in her mid-thirties.

Over the next several decades, Clarke produced fiction films that looked like documentaries, documentaries that flirted with the boundaries of fiction, some of the first video art projects, and movies that possess an incredible energy to them that few filmmakers have mastered, then or now. She studied under Hans Richter, inspired other New York filmmakers like John Cassavetes, helped co-found the Filmmakers’ Co-Op with Jonas Mekas, yet the important role that she played in the New American Cinema scene has risked becoming stuck between the pages of cinema history.

Thankfully, Milestone Films has restored some of her groundbreaking works, including The Connection, Portrait of Jason, and Ornette: Made in America, all due for a home video release sometime this year.

So here’s some free film school (for fans and filmmakers alike) from an artist who never stopped challenging herself.

Read the rest of this article from Film School Rejects.

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