6 Filmmaking Tips from William Friedkin

by Peter D. Marshall

by Landon Palmer.


William Friedkin began his directing career on television, where he helmed numerous documentaries and even an episode of The Alfred Hitchcock Hour in which, during filming, young Friedkin was reportedly chastised by the Master of Suspense for not wearing a tie.

Friedkin is the blue-collar outsider of New Hollywood, the genuine article in an era during which everyone fashioned himself an outsider. The son of lower-middle class Ukranian immigrants, Friedkin worked his way from the mailroom of a local TV station to eventually directing some of the most beloved films of the 1970s like The French Connection and The Exorcist.

In his approach to filmmaking and his biography, Friedkin has more in common with Lumet and Ford than his film-school-rank contemporaries Coppola and Scorsese. Yet there is still no director quite like Friedkin, who during the 1970s helmed the first major film with an all-gay cast, won an Oscar for a film that defined the heart-stopping car chase, made the biggest horror blockbuster of all time, and sent Roy Scheider to drive a truck 200 miles through the Dominican Republic.

With renewed attention and appreciation given to past flops Cruising and Sorcerer (the director’s favorite of his films), William Friedkin’s career now looks to be one of the richest and most diverse among his generation of filmmakers.

So here’s some free film school (for fans and filmmakers alike) by the guy from the “film school generation” who never went to film school.

Read the rest of this article from Film School Rejects.

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