Why McG is a Progressive Filmmaker

by Peter D. Marshall

by Jack Giroux.

mcg shooting 3 days to kill

Imagine a med student with orange dreadlocks down to his ass during the early 1990s. Do you have that horrifying mental image yet? Any takers on who that now-famous man might be? That’s right, it’s Joseph McGinty Nichol from Kalamazoo, Michigan.

Like plenty of driven young filmmakers, Nichol one day dropped out of school, packed his things and moved to Hollywood. Without any connections, he pushed his way into the industry with the help of a pizza delivery service. He put a copy of one of his music videos in a pizza box and had it delivered to an executive, who was tickled enough to give it a watch. That box of pizza gave birth to the man we all now know as McG, the director behind Charlie’s AngelsWe Are MarshallTerminator Salvation and his newest film, 3 Days to Kill.

Nichol has had that nickname ever since he was a kid. In some ways, it is representative of his career: a little silly, but self-aware and unapologetic. ”It’s never been fun to critically praise a ‘McG movie,’” he jokes. “It even begins with my ridiculous name. My name is who I am. My movies seem to further that difficulty. I try for drama, humor and action and yet try to make well-rounded movies.” General audience members could care less about Nichol’s nickname, but it’s turned him into a punching bag on the Internet, for both fanboys and, sometimes, critics.

Read the rest of this article from Film School Rejects.

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