by Chris O’Falt.
Even the self-proclaimed “analog” Coen Brothers have speculated that Inside Llewyn Davis will be their last movie shot on film. And, in what might be a sign of things to come, this weekend the LA Times reported that Anchor Man 2 would be the last release for which Paramount makes 35 mm prints for the 8 percent of movie theaters still using film projectors.
So why are a handful of films at Sundance 2014 bucking the trend and choosing to shoot on 16 mm film?
Read the rest of this article from Hollywood Reporter.
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