by Landon Palmer.
Watching Hungerfor the first time is not an experience that I’ll soon forget. British video artist-turned-director Steve McQueen imbued this vision of the 1981 IRA hunger strike with such a potent visceral sense, with such a rich and detailed tapestry of sound and image, that watching it is truly a corporeal endurance test of stark immediacy.
McQueen’s approach didn’t require traditional methods of character identification and narrative pathos – he simply used the reality of shared flesh and blood to connect the viewer with the events depicted onscreen. The result of McQueen’s efforts carries a profoundly haunting, disturbing, and ultimately revealing insight into the politics of the body, told through a symphony of blood, shit, and urine.
McQueen’s latest reportedly doesn’t pull its punches. I have yet to see Twelve Years a Slave, but it is hardly surprising that an artist whose life of work has been so invested in exploring the human body’s use as a device for subjugation, domination, and othering has created such an affecting vision of the horrors of American slavery and institutionalized racism. While Twelve Years a Slave is by most accounts McQueen’s most “accessible” work to date, he doesn’t seem to have lost the touch that made his museum-based work so unique during his quick rise in mainstream critical consensus.
So here’s some free film school (for fans and filmmakers alike) from not that Steve McQueen.
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