by Landon Palmer.
While doing press for Valhalla Rising, Danish American filmmaker Nicolas Winding Refn announced that the film marked a new stage in his career. After the manic, Brechtian anti-biopic Bronson; the sprawling Pusher trilogy that’s more Gaspar Noe than Gaspar Noe; and the little-seen Fear X, Refn began a series of films about quiet, enigmatic supermen. He continued this focus with Drive, his commercial breakthrough, and has now followed it up with Only God Forgives, which sees a VOD and limited theatrical release this Friday.
While Bronson and the first Pusher film were justifiably celebrated, it’s this current stage of his career that has, for many, defined what “a Nicolas Winding Refn film” means: atmospheric, ultra-violent, deliberately paced, heavy on style. Refn is one of the strangest young auteurs working today, in terms of both his esoteric films and his occasionally bizarre interviews.
And his career is only going to get more interesting: his vast slate of possible subsequent projects that include a Logan’s Run remake, a Wonder Woman movie, an adaptation of the comic Button Man, a prequel to the 80s midnight flick Maniac Cop, and an erotic horror film titled I Walk With the Dead.
So while he’s on the up and up, here’s some free advice (for fans and filmmakers alike) from the man responsible for Mads Mikkelsen’s one eye, Tom Hardy’s curly mustache, and “The Gosling Stare.”
Read the rest of this article from Film School Rejects.
Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get the first 41 pages of my 258 page Film Directing Multi-Media Online course, “The Art and Craft of the Director Audio Seminar.”