by Scott Beggs.
If people really pay attention to directors, a lot of them found out who Shane Black is this weekend. Iron Man 3, his second best film as a director, sees him transitioning to a phase that he’s lived in before as a screenwriter. He found success in his twenties after acting in Predator and selling his script for Lethal Weapon, following-up with even more stories about kidnapping and Christmas.
He’s brash, great with a comeback, and known for inserting fourth wall-breaking jabs into his scene descriptions, but he’s also been on both sides of the studio coin. That’s given him a front row seat for great success, backlash, a re-emergence that didn’t strike it big, and now another resurrection. It was clear before that he had talent, and now he’s got wisdom.
So here’s a bit of free film school (for fans and filmmakers alike) from a man who knows what you find when you look up “idiot” in the dictionary.
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