Adventure travel on film – the dangers and delights

by Peter D. Marshall

by Kevin Rushby.

You might think that the revolution in technology that has brought film-making within the reach of everyone should mean travel film-making is in its heyday. But there is one tremendous stumbling block: an experience filmed may not be one fully experienced. Worse still, a real full throttle adventure would not be that, arguably, if the participant was able to handle a camera. Anyone who has tried to film while travelling knows the problem. At best it is that great moment when you simply cannot disappear behind a lens. At worst it is when an entire sequence of events has to be reproduced – the actuality having been completely missed.

That dilemna has been there in adventure filming ever since the genre kicked off. Fortunately there are those adventurers who will just not give up. Determined to bring home the thrills and spills, they set out to prove that film and adventure can co-exist, even thrive in each other’s company. And they have been doing so ever since film started.

Take Grass (1925), one of the films to be shown at the Adventure Travel Film Festival (17-20 August) in Sherborne, Dorset. The brain-child of Merian Cooper and Ernest B. Schoedsack who went on to co-direct the original King Kong movie in 1933, Grass is the story of two travellers who accompany the Bakhtiari tribe on an epic nomadic journey across Iran.

Read the rest of this article from Guardian.

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