1. whose POV is being expressed at the time (the writer’s, the character or the director)
2. what distance are you from the subject (the size of shot – are you close or far)
3. what is your relationship to the subject (the angle of view – choice of lenses)
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Many of the major directors of film noir—such as Huston, Dmytryk, Cromwell, Orson Welles, and others—were American. Rigid Lenses