by Amberly Alene Ellis.
After the Cuban revolution of 1959, cinema would become a major component in the socio-political revolution of the Cuban consciousness. Some filmmakers would experience a rise to fame, while the names of other filmmakers were almost forgotten in the public memory.
In March, as a graduate MFA candidate in the American University School of Communication, I embarked on the filming of Nuestra Cuba (Our Cuba), a documentary that follows the untold stories of the Institute of Cuban Cinematographic Art and Industry’s (ICIAC) first women and Afro-Cuban filmmakers: Sara Gomez and Gloria Rolando.
Read the rest of this article from CMSImpact.
Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get the first 41 pages of my 261 page Film Directing Multi-Media Online course, “The Art and Craft of the Director Audio Seminar.”