VIDEO: Breaking Down David Fincher’s Directorial Techniques

by Peter D. Marshall

by Tony Zhou.


While the gender politics behind David Fincher’s much-anticipated Gone Girl adaptation may be muddled, the “dark lord of cinema”‘s direction is as crystalline and precise as ever. Tony Zhou, in his latest Every Frame A Painting, examines how Fincher manages to make even the most expository exchanges cinematic by using framing to relate character dynamics.

He also takes a close look at Fincher’s faithfulness to the tripod, sparing use of close-ups, and almost inhuman camera movements. It’s a must watch for anyone who values the abilities of visual language.

Watch this video from Filmmaker Magazine.

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