I’m Peter D. Marshall and I created this film directing blog in 2007 as an online movie making resource center for Independent Filmmakers like yourself.

(As of May 17, 1686 film making posts have been published on this blog!)

For over 38 years I’ve worked (and survived) in the Film and TV industry as a Film Director, Television Producer, First Assistant Director and Creative Consultant. (See IMDb Credits.)

In 1999, I started my website, ActionCutPrint which has grown into one of the top film directing websites for Independent Filmmakers on the Internet today featuring online movie making courses, film directing articles, film and television books and filmmaking workshops.

In 2000, I started publishing my free monthly film making ezine, The Director’s Chair which is read by over 5500 filmmakers in 105 countries around the world. (You can read 129 back issues here.)

To fulfill my goal of mentoring and teaching, I developed several filmmaking workshops that I have presented over the past 18 years: from Canada to Singapore to Dubai. I am also a directing instructor at the Vancouver Film School.

So if you want to keep up to date on the latest Online film and television resources, please Bookmark this Page Now or Subscribe to this blog to read daily film making articles written by myself and other film makers from around the world.

The feature article in this month’s issue of The Director’s Chair is called  10 Tricks & Traps of Producing by Elliot Grove. “Producing Feature Films is an occupation fraught with danger, mishaps and misfortune. As Shakespeare said: many a slip twixt cup and lip. Here are the ten areas where new producers trip up.”

SUBSCRIBE to the current issue of “The Director’s Chair” and get two free bonuses: (1) Day One of my 238 page Online film directing audio course, “The Art and Craft of the Director Audio Seminar” and (2) the first 27 pages (plus mp3 audio) of my 160 page “Script Breakdown and Film Scheduling Online Course For Independent Filmmakers.”

I will be teaching a 2 day film directing workshop (Essentials of Film Directing) in Toronto on June 23 and 24, 2012. This event is sponsored by Raindance Canada.

Raindance Deal of the Day: C$99.00 for this Two-Day Filmmaking Course (Regular price is C$349.00) . Offer expires on Thursday, May 17 at 12 midnight (EST) http://www.groupon.com/deals/raindance-canada-toronto-2 

A director is a storyteller, project manager and visionary. Many hats to wear and many responsibilities to balance. Most first time or early directors stumble into the job or fake it on their first shoot, but here’s a workshop that will provide the guidance, tools and tricks gleaned from both the best of Hollywood filmmaking to the most current successful indie film and television projects.

Raindance presents 2 intense days of straight-shooting talk, action and exercises from the acclaimed Peter D. Marshall, to help you become a confident director who knows what to do, from pre-production to yelling ‘that’s a wrap!’

Peter D. Marshall comes to Toronto via Hollywood and Vancouver for these two comprehensive and intense days, a must have for any filmmaker wanting to reach the next level of career success as a film or television director in the competitive film or TV industry.

Saturday, June 23
Essentials of Film Directing Part 1
(The Director as Story Teller)

Day 1 introduces participants to the essential roles of the film and TV director and looks at:

  • The director as storyteller (it’s always about the story)
  • The critical elements of the business and politics of film (this is what they don’t teach you in film school)
  • The director’s pre-production activities (building your team)
  • Script and scene analysis (preparing to move from page to screen)

Outline:

  • The Director as Story Teller
  • The Three Types of Director
  • How to Work and Survive in “The Business”
  • TV vs. Feature Film Directing
  • Pre-Production Director’s Activities
  • Assembling the Production Management Team
  • The Director’s Top-Three Creative Team
  • The Production Team
  • On-Camera Players (The Talent)
  • The Reductionism Breakdown Theory
  • Practical Breakdown of Scripts and Scenes
  • Drama is Conflict:  Five Sources of Conflict
  • Script Breakdown Formula
  • The Classic Three-Act Structure
  • General Script and Scene Analysis
  • Other Script Structural Elements
  • The Director and the Script
  • Director Guidelines – The Script

Sunday, June 24
Essentials of Film Directing Part 2 (Getting Ready for the Film Set)

Day 2 introduces participants to the complex, in-depth world of the film director and covers the director’s visual concept, character analysis and development, text and subtext and the casting process.

Outline

  • Mise-en-Scene / Subworld
  • The Director’s Visual Concept
  • Colors and Their Meanings
  • Understanding Camera Techniques
  • Director Guidelines – Working on the Set
  • Storyboards and Shot Lists: Exercise:(Script, Shot List & Storyboard)
  • Observing Human Behavior and Emotions: Exercise (Power of Observation)
  • Character Analysis and Development
  • Character Objectives
  • Character Personality Traits
  • Text, Subtext and Context: Exercise (Objectives and Subtext)
  • The Four Types of Actor
  • The Casting Process
  • Director Guidelines – Casting
  • Director Guidelines – Working with Actors on the Set
  • That’s a Wrap

Testimonials and comments from some of Peter’s past film workshops:

“Peter is a great instructor. He is very willing to share with us his experience in film directing. He creates a very relaxed and cordial environment for the class and gave us the opportunities to ask and share ideas in class. He is quite knowledgeable i the subject and he said many key concepts that left lasting impressions. Its been a great experience learning from him.” Kevin Peng – Singapore

“I have taken several directing courses and Peter’s course by far, takes the gold star. This impressive, condensed seminar saturates years of experience and learning and presents it in an easy to use package. A definite recommendation.” Trevor McWhinney – Vancouver, Canada

“Peter’s course in directing is a great insight into the process of film direction from a practical perspective. Combining theory with nuts and bolts, I got a good idea of how to make the emotional content of a scene work – and how to isolate the problems when it doesn’t. Great involvement in the process.” Chris Baudat – New Westminster, Canada

Very in-depth class with a great way to express the director’s role. The role playing was a fantastic way for me to learn to compose a scene, deal with actors and understand what is needed for the story, Peter, you have obviously put a lot of work into preparing and delivering this workshop. I learned a lot. Thank you.” Alexandra Pacheco – Burnaby, Canada

“Really, really enjoyed the class! Been waiting for a class like this for a long time, and it has finally happened. All my answers are there. What I have been looking for all the years that I have been directing, has all been put into perspective. All a clearer picture. I have gained so much from this experience and treasure. Thank you..” Ian Seymour, Singapore

“I found Peter’s workshop very informative. The workshop was a great opportunity to open my mind and refresh my ideas. I now have a new perspective on the power of moviemaking and the realities of the Director’s role. Thank you Peter.”  Aaamir Shaikh – Pakistan

 “I found this seminar to be extremely beneficial. As an editor, I learned more about directing, acting, shooting and everything in between than I would have expected. This seminar will help me a great deal as an editor and Peter’s words and enthusiasm will stick with me. You can tell that Peter Marshall has a passion for this industry and his work. Thank you.”  Brett Miles, Calgary, Canada

“Peter is a very knowledgeable and engaging instructor. In addition to being a great learning opportunity (and a lot of fun!) this course and workshop offered valuable insight into the director’s world. Thank you.”  Bev White – North Vancouver, Canada

For more information on how to register for this 2 day Toronto workshop, please visit: Essentials of Film Directing.

Raindance Deal of the Day: C$99.00 for this Two-Day Filmmaking Course (Regular price is C$349.00) . Offer expires on Thursday, May 17 at 12 midnight (EST) http://www.groupon.com/deals/raindance-canada-toronto-2 

Hope to see you there :)

Peter

TFW Forum on Women Filmmakers

by Peter D. Marshall on May 17, 2012

by Darnell L. Moore.

TFW is excited to highlight the inventive work of several phenomenal women filmmakers in a forum that runs from today through Friday. Carmen Torres, tiona m., Aishah Shahidah Simmons, Anna Barsan, Pratibha Parmar, and Nev Nnaji reflect on the plight of women filmmakers in a male-dominated industry, feminist approaches taken up in filmmaking, filmmaking as both an art form and modality for social change, and their processes.

Read the rest of this article from The Feminist Wire.

Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get the first 30 pages of my 238 page Film Directing Multi-Media Online course, “The Art and Craft of the Director Audio Seminar.”

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Young Filmmakers from Conflict-Ridden Countries Tell Stories of Love and Sports

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by Cristina DC Pastor. What’s your film about? I asked Ahlam Darwish, 17, from Jerusalem, while waiting for her film to screen at the Curious Pictures studio in Manhattan. “It’s about a very talented, young girl who plays the piano, but what many do not know is that she is about to go blind,” Darwish [...]

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by Paul Grondahl. Filmmakers shot short films on cellphones and the Tribeca Film Festival screened them and streamed the content digitally via an iPhone app. A dozen of the feature films shown last month at Tribeca were low-budget indie projects funded by Kickstarter, a “crowd funding” Internet site that helps creative people use social media [...]

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James Cameron on Chinese Filmmakers, Censorship and Potential Co-Productions

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by Edward Wong. , director of “Titanic” and “Avatar,” among other well-known movies, visited Beijing in mid-April for the Beijing International Film Festival. The festival was screening the 3-D version of “Titanic,” which had recently opened in theaters here. More important, Mr. Cameron was here to meet with people in the Chinese film industry to [...]

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