I’m Peter D. Marshall and I created this film directing blog in 2007 as an online movie making resource center for Independent Filmmakers like yourself.

(As of February 6, 1583 film making posts have been published on this blog!)

For over 38 years I’ve worked (and survived) in the Film and TV industry as a Film Director, Television Producer, First Assistant Director and Creative Consultant. (See IMDb Credits.)

In 1999, I started my website, ActionCutPrint which has grown into one of the top film directing websites for Independent Filmmakers on the Internet today featuring online movie making courses, film directing articles, film and television books and filmmaking workshops.

In 2000, I started publishing my free monthly film making ezine, The Director’s Chair which is currently read by over 6000 filmmakers in 105 countries around the world. (You can read 125 back issues here.)

To fulfill my goal of mentoring and teaching, I developed several filmmaking workshops that I have presented over the past 18 years: from Canada to Singapore to Dubai. I am also a directing instructor at the Vancouver Film School.

So if you want to keep up to date on the latest Online film and television resources, please Bookmark this Page Now or Subscribe to this blog to read daily film making articles written by myself and other film makers from around the world.

The feature article in this month’s issue of “The Director’s Chair“ is called What a Director Looks for in the First Script Read-Through: “A director needs to understand every detail about the story you are telling. And in order to understand the script, a director needs to be able to operate in the sub-world of the characters.”

SUBSCRIBE to the current issue of “The Director’s Chair” and get two free bonuses: (1) Day One of my 220 page Online film directing audio course, “The Art and Craft of the Director Audio Seminar” and (2) the first 26 pages (plus mp3 audio) of my 155 page “Script Breakdown and Film Scheduling Online Course For Independent Filmmakers.”

If you have been following filmmaking trends you know the world of indie filmmaking is changing fast.

Inexpensive production technology coupled with the decline of traditional movie distribution has forever transformed the ways in which movies are marketed, seen and sold.

These days, filmmakers must not only make great movies, but in order to prosper, modern moviemakers must now master crowdfunding, internet marketing and social media.

To help you succeed as an independent filmmaker, I collaborated with nine other prominent filmmaker thought leaders to provide you with a complementary filmmaking Action Guide on how to survive and thrive in this ever changing industry.

It’s called “The Modern Moviemaking Movement” and it will provide you with 100  pages of useful, modern, no-fluff filmmaking information such as:

1. Uncover Successful, Modern Screenwriting Tips – Jurgen Wolff
2. Find Out How To Make the Most of Movie Money- Norman C. Berns
3. Discover Six Ways to Finance Your Feature Film – Gordon Firemark
4. The State of The (Indie Filmmaker) Union – Tom Malloy
5. Get The Inside Scoop On Crowdfunding – Carole Dean
6. Plan Your Production For Maximum Success – Peter D. Marshall
7. Modern Guerrilla Filmmaking – Gary King
8. Navigate Film Festivals and Do Them Right – Sheri Candler
9. Sell Your Movie Without the Middle-Man – Jason Brubaker
10. The Producer of Marketing & Distribution – Jon Reiss

Grab “The Modern MovieMaking Movement” instantly here: http://www.ModernMovieMaking.com. Also, if you like this 100 page indie filmmaking Action Guide, PLEASE GIVE IT AWAY to your closest filmmaking friends.

by Evan Dickson.

A little while ago I tossed up an article about the sale of Black Rock at Sundance. In fact, it should be the piece right below this one.

Right after doing so I saw that Devin Faraci, one of my favorite critics, had already filed his review of the film over at Badass Digest so I headed over there to check it out. You can do the same by clicking here.

Now I’m gonna state in bold letters that I have not seen Black Rock. For all I know it could become my favorite movie of 2012. I don’t always agree with Devin (maybe 70% of the time), but he’s one of a handful of about 5 or 6 critics whose reviews are my “go-tos” when I’m deciding what films to spend my time or money on as a consumer (I don’t always see everything for free, especially non-horror stuff). Whether or not I ultimately agree with his take on something, he’s got a knack for thoroughly explaining the reasoning behind his reactions that’s in a language I can relate to.

So I was surprised to come across a couple lines in his piece on Black Rock that echoed something that’s been on my mind for sometime in regard to genre and people who think they’re slumming in it.

Read the rest of this article from Bloody-Disgusting.

Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get the first 30 pages of my 220 page Film Directing Multi-Media Online course, “The Art and Craft of the Director Audio Seminar.”

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Sundance, Women In Film promote female filmmakers

February 5, 2012

by Sandy Cohen. The Sundance Institute and  are working together to track female filmmakers who are showing their work at the 2012 Sundance Film Festival and plan to use the data to increase women’s presence in all areas of filmmaking. The aim of the joint effort, announced Monday, is to “initiate a real hard look [...]

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Feminist Films and Women Filmmakers

February 4, 2012

from The Bay Net. St. Mary’s College of Maryland’s fifth annual film series, Out of Bounds:  and Filmmakers, will focus on the work of women filmmakers and women’s filmmaking collectives. It kicks off with Yun Suh, who will screen her film “City of Borders” at 8:15 p.m. Monday, Feb. 6, in Cole Cinema in the [...]

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iPhone filmmaking to be showcased at Macworld

February 3, 2012

by Jackson Chan. The iPhone Film Festival will host a screening and Q&A this Friday evening at Macworld | iWorld with an international group of filmmakers who go beyond using their iPhones to capture a pet’s adorable antics or a favorite song at a concert — these filmmakers see their phones as a tool to [...]

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My Image Studios Aims to Be Filmmaking and Cultural Hub of Harlem

February 2, 2012

by Jeff Mays. Decades from now, Roland Laird wants My Image Studios LLC to be mentioned in the same breath as legendary Harlem venues like the Apollo Theater. Scheduled to open in June, the $21 million film screening, performance space and restaurant will be dedicated to African and Latino culture. “We want to be the [...]

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Forget pirates, the film industry has plundered itself

February 1, 2012

by Greg Jericho. This week Rupert Murdoch has decided to take to Twitter to let us know all about his views on movie piracy. His tweets have provided some nice nuggets of amusement that have been akin to your father telling you he’s heard about this thing called the information superhighway and wanting to know [...]

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The Sundance Dream: A Guide to Independent Filmmaking

January 31, 2012

by Chandra Steele. Every town has gone a little Hollywood this month. Cinemas are packed with theatergoers wanting to see esteemed Oscar nominees and this week’s Sundance Film Festival previews what could be the next gleam in their eyes. One of the Oscar favorites, Hugo, is an uncommonly gentle film from Martin Scorsese that’s a [...]

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Five Weeks and Five Minutes to Discover Canada’s Next Documentary Filmmaker

January 30, 2012

from PR Newswire. Are you passionate about sharing your documentary and having it broadcast on television? With just five weeks to go, TVO is calling upon Ontario’s new generation of documentary filmmakers to exhibit their creative skills with the introduction of the inaugural Doc Studio Contest. TVO is challenging aspiring and accomplished filmmakers, artistic visionaries [...]

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The Magic Lantern (Silent Movies)

January 29, 2012

from The Telegraph. The cinema’s provenance lies in the . But stereotypes, like habits, die hard. Since 1927, when the first ‘talkie’, The Jazz Singer, was released, movie-goers have associated films with dialogue, sound and music. A successful film, in terms of the accepted stereotype, is one in which all these elements come together with [...]

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