I’m Peter D. Marshall and I created this film directing blog in 2007 as an online movie making resource center for Independent Filmmakers like yourself.

(As of June 1, 1701 film making posts have been published on this blog!)

For over 38 years I’ve worked (and survived) in the Film and TV industry as a Film Director, Television Producer, First Assistant Director and Creative Consultant. (See IMDb Credits.)

In 1999, I started my website, ActionCutPrint which has grown into one of the top film directing websites for Independent Filmmakers on the Internet today featuring online movie making courses, film directing articles, film and television books and filmmaking workshops.

In 2000, I started publishing my free monthly film making ezine, The Director’s Chair which is read by over 5500 filmmakers in 105 countries around the world. (You can read 129 back issues here.)

To fulfill my goal of mentoring and teaching, I developed several filmmaking workshops that I have presented over the past 18 years: from Canada to Singapore to Dubai. I am also a directing instructor at the Vancouver Film School.

So if you want to keep up to date on the latest Online film and television resources, please Bookmark this Page Now or Subscribe to this blog to read daily film making articles written by myself and other film makers from around the world.

The feature article in this month’s issue of The Director’s Chair is called  10 Tricks & Traps of Producing by Elliot Grove. “Producing Feature Films is an occupation fraught with danger, mishaps and misfortune. As Shakespeare said: many a slip twixt cup and lip. Here are the ten areas where new producers trip up.”

SUBSCRIBE to the current issue of “The Director’s Chair” and get two free bonuses: (1) Day One of my 238 page Online film directing audio course, “The Art and Craft of the Director Audio Seminar” and (2) the first 27 pages (plus mp3 audio) of my 160 page “Script Breakdown and Film Scheduling Online Course For Independent Filmmakers.”

I will be teaching a 2 day film directing workshop (Essentials of Film Directing) in Toronto on June 23 and 24, 2012. This event is sponsored by Raindance Canada.

As of May 28, 22 filmmakers have registered for this 2 day intensive workshop.

A director is a storyteller, project manager and visionary. Many hats to wear and many responsibilities to balance. Most first time or early directors stumble into the job or fake it on their first shoot, but here’s a workshop that will provide the guidance, tools and tricks gleaned from both the best of Hollywood filmmaking to the most current successful indie film and television projects.

Raindance presents 2 intense days of straight-shooting talk, action and exercises from the acclaimed Peter D. Marshall, to help you become a confident director who knows what to do, from pre-production to yelling ‘that’s a wrap!’

Peter D. Marshall comes to Toronto via Hollywood and Vancouver for these two comprehensive and intense days, a must have for any filmmaker wanting to reach the next level of career success as a film or television director in the competitive film or TV industry.

Saturday, June 23
Essentials of Film Directing Part 1
(The Director as Story Teller)

Day 1 introduces participants to the essential roles of the film and TV director and looks at:

  • The director as storyteller (it’s always about the story)
  • The critical elements of the business and politics of film (this is what they don’t teach you in film school)
  • The director’s pre-production activities (building your team)
  • Script and scene analysis (preparing to move from page to screen)

Outline:

  • The Director as Story Teller
  • The Three Types of Director
  • How to Work and Survive in “The Business”
  • TV vs. Feature Film Directing
  • Pre-Production Director’s Activities
  • Assembling the Production Management Team
  • The Director’s Top-Three Creative Team
  • The Production Team
  • On-Camera Players (The Talent)
  • The Reductionism Breakdown Theory
  • Practical Breakdown of Scripts and Scenes
  • Drama is Conflict:  Five Sources of Conflict
  • Script Breakdown Formula
  • The Classic Three-Act Structure
  • General Script and Scene Analysis
  • Other Script Structural Elements
  • The Director and the Script
  • Director Guidelines – The Script

Sunday, June 24
Essentials of Film Directing Part 2 (Getting Ready for the Film Set)

Day 2 introduces participants to the complex, in-depth world of the film director and covers the director’s visual concept, character analysis and development, text and subtext and the casting process.

Outline

  • Mise-en-Scene / Subworld
  • The Director’s Visual Concept
  • Colors and Their Meanings
  • Understanding Camera Techniques
  • Director Guidelines – Working on the Set
  • Storyboards and Shot Lists: Exercise:(Script, Shot List & Storyboard)
  • Observing Human Behavior and Emotions: Exercise (Power of Observation)
  • Character Analysis and Development
  • Character Objectives
  • Character Personality Traits
  • Text, Subtext and Context: Exercise (Objectives and Subtext)
  • The Four Types of Actor
  • The Casting Process
  • Director Guidelines – Casting
  • Director Guidelines – Working with Actors on the Set
  • That’s a Wrap

Testimonials and comments from some of Peter’s past film workshops:

“Peter is a great instructor. He is very willing to share with us his experience in film directing. He creates a very relaxed and cordial environment for the class and gave us the opportunities to ask and share ideas in class. He is quite knowledgeable in the subject and he said many key concepts that left lasting impressions. Its been a great experience learning from him.” Kevin Peng – Singapore

“I have taken several directing courses and Peter’s course by far, takes the gold star. This impressive, condensed seminar saturates years of experience and learning and presents it in an easy to use package. A definite recommendation.” Trevor McWhinney – Vancouver, Canada

“Peter’s course in directing is a great insight into the process of film direction from a practical perspective. Combining theory with nuts and bolts, I got a good idea of how to make the emotional content of a scene work – and how to isolate the problems when it doesn’t. Great involvement in the process.” Chris Baudat – New Westminster, Canada

“Really, really enjoyed the class! Been waiting for a class like this for a long time, and it has finally happened. All my answers are there. What I have been looking for all the years that I have been directing, has all been put into perspective. All a clearer picture. I have gained so much from this experience and treasure. Thank you..” Ian Seymour, Singapore

“I found Peter’s workshop very informative. The workshop was a great opportunity to open my mind and refresh my ideas. I now have a new perspective on the power of moviemaking and the realities of the Director’s role. Thank you Peter.”  Aaamir Shaikh – Pakistan

 “I found this seminar to be extremely beneficial. As an editor, I learned more about directing, acting, shooting and everything in between than I would have expected. This seminar will help me a great deal as an editor and Peter’s words and enthusiasm will stick with me. You can tell that Peter Marshall has a passion for this industry and his work. Thank you.”  Brett Miles, Calgary, Canada

For more information on how to register for this 2 day Toronto workshop, please visit: Essentials of Film Directing.

Hope to see you there :)

Peter

by Laura Bleiberg.

Listen up, everybody. It’s Boston’s turn. Input is requested for an interactive artistic experience.

Dances Made to Order, a year-old website that describes itself as an online dance-film festival, has come to town. Three teams of Boston choreographers and filmmakers will soon begin making dance videos for this subscriber-based, curated website. They are just waiting for the public’s crucial part in the process — to decide the themes for their short movies.

This is the basic premise of Dances Made to Order, which was cofounded by Los Angeles dancer and choreographer Kingsley Irons and website designer Bryan Koch. The two have already commissioned videos from contemporary dance artists in Los Angeles, New York, Salt Lake City, and Atlanta. May is Chicago’s month. By the time this current “season” ends in late November, Dances Made to Order will have commissioned 33 videos from choreographers and filmmakers in 11 US cities.

Read the rest of this article from Boston Globe.

Sign up now for your own FREE monthly subscription to “The Director’s Chair” filmmaking ezine and get the first 30 pages of my 238 page Film Directing Multi-Media Online course, “The Art and Craft of the Director Audio Seminar.”

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